Keep Calm and Carry-On!

On my last several trips I have been 'auditioning' different luggage and carry-on options.  How much do I really need?  Can I get everything in a carry-on?  If I take something out on the plane can I actually get it back into my bag?  Can I pick it up if I pack it?  Does it fit under the seat?


I like to think that I look like the chic, totally coordinated, organized traveler on the right.............................

However, I am afraid I may look more like this poor soul!


It is a conundrum.  And there are so many different options!

On my last trip I took a tote that I made last summer.  I made it with the idea of using it to take sewing and knitting projects with me in the car or for workshops.  It has tons of pockets on the outside and a big 'cargo' area on the inside.  It works really well to keep my tools and projects organized and handy when I am away from my sewing room.  Since I was on my way to a sewing retreat I packed it as my carry-on so I would have it when I got to the workshop.  Light bulb!!!

I don't know why it never occurred to me before that it would make a great carry-on, I just thought of it as my 'workshop bag.'  It was great as a carry-on!  It fit really nicely under the seat in front of me, the outside pockets made it easy to get to my water bottle and snacks, I had room for a knitting project, and my sweater (I'm always cold on planes) and it looked fun as well!

It is a pattern that I have been 'honing' for some time.  As you can see from the envelope it is an OLD pattern...it is in fact an out-of-print pattern.  (I did see a current pattern that was similar, Butterick 5867, which is designed as part of a dog accessories series!  It doesn't have the outside pocket panel, but I like the way the straps are designed!) 

                        My OLD pattern                        Current Butterick 5867 pattern

Several "Trial Balloons" of my favorite tote

I have made this tote several times.  Each time I have made slight revisions as I learn what I like and what isn't working.  My latest version involved 7different fabrics, 2 kinds of zippers, upholstery tacks, 3 different kinds of interfacing, several broken needles, two full days in the sewing room, lots of 'engineering' time, and a pound of chocolate!

Here are some of the things I have added or changed over the years as I continue working the pattern:

• I like that the bottom is a separate piece so I can use a different fabric.  I like to use something tough and water proof. (in this case vinyl) I have also added metal "feet" to the corners to protect the bottom a bit more.  When I can't find the actual metal studs that are made for that purpose, I use decorative upholstery tacks with the ends bent over.  They are bigger than the studs I have found and come in lots of colors.

• 

• There are 6, count 'em, 6 pockets on the outside of the bag.  On my recent trip I realized that I don't like to keep my wallet or my phone in these pockets, even though it would be really convenient, because they are open.  So on my latest version I added a zipper to the front of one of the outside pockets.  I still have the open pocket behind the zipper pocket which is a great place for boarding passes.
• The tote pattern doesn't have any inside pockets.  On several versions I have added small organizing pockets for pencils, small loose 'stuff', you know, the things that usually find their way to the bottom of the bag!  On the inside of my new bag I added a zipper pocket on one side and a padded pocket on the other side to hold an ipad or laptop computer.
• I added a small pocket on the inside of one of the outside corner pockets to keep my reading glasses or sunglasses handy.  The outside pockets just happen to be the perfect size for my favorite water bottle!
• I padded the straps to make carrying more comfortable.  I also discovered that the length of the straps allows me to carry the bag "back-pack-style" if I get to feeling lopsided!
• I turned the center pocket on one side into a slot that can be slipped over a roll-aboard bag for easy carrying. (My smarty pants son asked me if it fit? and I said, "of course it does!"  It was just dumb luck that when he left and I tried it on my roll-aboard that it did fit, just!  note to self, measure first!)

I am very happy with my new carry-on tote!  I will have to plan another trip very soon to try it out.  I'm sure there will be more learning and more revisions in the future, but for now I think I have created the "perfect carry-on!"

Outside the Lines in Ashland

I just completed a week in Ashland, Oregon at a "Design Outside the Lines" (aka DOL) retreat.  Spending time with, as one retreater put it, "the force of nature" that is Diane Ericson, along with the amazing Holly Badgley, the generous Gwen Spencer and a whole passel of gorgeous, talented women, has given me a whole new appreciation for the concept of a "trial balloon."

I've never been much of a 'pattern follower' to begin with, but the approach that Diane encouraged us to try pushed that idea even further.  We started in the middle and worked to the edges, we made fabric first and let it suggest a garment, we stuck our heads through armholes and turned collars into hemlines...No 'right or wrong'...no 'up or down'...no grain lines...just "Yes!"

Me and Holly

Diane and Gwen

Each day we spent time learning about the inventive techniques that Diane and Holly use in their work, we had time to try them for ourselves, we worked on our individual projects, we got help and coaching from Diane, Holly and Gwen, but also from each other.  We shopped in lovely Ashland, we ate wonderful food, enjoyed Oregon wine, strolled in gorgeous Lithia Park, looked out on Grizzly Peak and absorbed...the atmosphere of the place, the inspiration from our mentors and the creative spirit of the group.

Gorgeous Lithia Park

Some shops even let us take photos!

It's not difficult to describe what we did, however, it is extremely difficult to convey what happened in Ashland.  It was different for each person, but in each case it was transformational.

I went to DOL expecting to see wonderfully creative garments, true works of art...and I did!   I also expected to learn new things to incorporate into my work...and I did!  What I didn't expect was to find my tribe!  The emotional connection to a community of makers.  It was magical.  We spoke the same language, we admired and understood each other's work, we explored and celebrated our innate need to create.  It was powerful, empowering, affirming...it was AWESOME!

My lovely room and table mate!

Lately I have been struggling a bit (OK a lot!) with what direction my creative life (OK my whole life!) is moving.  As my time shifts from the obligations of a career and a work life to the less structured schedule of being a 'retiree,' I am noticing a shift, too, in how making stuff happens now and what that process means to me.

When Diane asked us, "How much meaning can you get out of your passion?", it struck a chord.  Making stuff has been a constant in my life.  Most often it has been my respite, my mental health break from whatever crazy was going on in the rest of my life...and that was meaning enough.  Now, with the opportunity to spend more time creating, I am craving a different level of meaning from my work.  I don't know what form that 'meaning' will take, or when it might show up, but right now the question is enough.  Acknowledging the desire for more meaning and being available to receive it...patience...hmmm?

Another 'exercise' that Diane suggested was to look back at our own creative path.  Look at how our work has 'matured.'  I realize that I don't make the same stuff in the same way that I used to, but I attributed it to changing styles, not necessarily to 'changing me.'  The idea of 'maturing' as an artist and creator will be an interesting concept to explore.

I am writing this on the plane as I make my way back to my Michigan life.  My brain is full, I am tired, exhilarated, inspired, chomping at the bit to be back in my own workroom...but mostly I am grateful.

Grateful for the time away, for the challenging questions to wrestle with, for my tribe, and for the invitation to find new meaning in my creative life.

........and... put a bird on it!

Another 10 Years

Ok...Let me just get this out there...

I DON'T QUILT!

I have nothing against quilts.  I love the colors and the shapes.  I am fascinated by the endless variety.  I am in awe of the history and generations of women (and men!) who have created quilts.  I admire the skill and techniques of quilting.  I adore my quilting friends!  BUT...

I don't quilt.

I have over the years made attempts.  It is incredibly hard to resist the lure of miles of crisp quilting cottons lined up in the quilt shop.  Agonizing over just the right colors and patterns for the perfect effect.  Choosing a block pattern, finding the perfect back...I really love all of it...I even enjoy the math.  Figuring out the cutting sequence, how much to buy (don't forget those pesky 1/4" seam allowances, they do add up!), what size will the finished quilt be, how many and what size for the borders...and the tools are way cool!  Rotary cutters, clear rulers, little 1/4" sewing machine feet, all manner of things to make life easier for the quilter...I even get excited about making that first block, precise 1/4" seams, seeing the colors working together...and then...

"How many of these do I have to make????????"

It's just not my thing, making 40 kajillion of anything!  So I have made a few quilts in my time.  About every 10 years or so just to remind myself that, I don't quilt.

So why the rant about quilting, you ask?  Because it happened, it must be about 10 years from my last collision with a quilt.  For true quilters this little venture won't even hit the radar, but for me, it's as close as I come to a quilt.

It started innocently enough with a new vase.  

It's hard to tell from this photo, but it is the softest, old fashion aqua color.  It is ceramic, but looks like an old Mason jar, it was just so dang cute, I had to take it home and fill it with daffodils!

Well that was fine, but it looked so lonely on the table all by itself.  Apparently this aqua color is a weakness, because I found two other 'jugs' in my cupboard in a similar color that could keep my new Mason jar company.  OK, but how about something a bit taller, maybe some candles?  And looky there, a blown glass bowl in the same color.....and sure enough I end up in the quilt shop looking for the parts and pieces for the table runner that will 'tie it all together!'  having totally forgotten in the heat of the search that...I don't quilt!

The fabrics (there were 3 of them) that I selected were chosen for their vintage-esque quality to go with the Mason jar.  They won out over the 'seventies inspired' daisy flower print that was the perfect color, but totally different vibe.  (Like I said, I love the search!)

Aren't they lovely?

The math that ensued had to do with figuring out how to center the striped border and how to cut and piece the aqua fat quarter to get the necessary center size.  Then came the pondering about how to miter the striped corners and whether to put the dots on the edge of the inner border or in the middle of it. 

 ...cutting, precise 1/4 inches, linen backing, ditch stitching, bias bordering, mitering, pressing, pressing and more pressing....

One big block! (16" X 41")

I'm delighted with my new table runner.  It lies fairly flat, and does a nice job of pulling together my assorted aqua pots, but most of all, it reminds me that I have another 10 years before I need to quilt again!!!

Let the Learning Begin

Workshops.  Hmmmm.  

I am heading off to Oregon next week to spend almost a week working with Diane Ericson and Holly Badgely.  I have been wanting to do a "Design Outside the Lines" Retreat with Diane forever, or at least for as long as she has been doing them.  

One of the things that Diane suggested was to think about our 'intentions' for this time together.  How do I want to use this retreat time to further my design work?  It's an interesting question.  

I love learning new stuff and getting to spend time in other designers' heads.  Adding tools to my toolbox, getting immersed in inspiration...but I never seem to totally give myself over to the process.  I get myself all wound up in the product.  I put pressure on myself to make something, to finish it. Often I go home from a great workshop with a product that I don't like and consequently, I end up not doing anything with the technique or inspiration.

So, my 'intention' for my week in Ashland is to "be present in the process."  I want to forget that there might be a finished product at some point and simply spend time up to my ears in the process.  I am looking forward to seeing what happens.

OK, but...one of the things in the 'supply list' for the retreat, is "Dress to express yourself.  Wear your fun stuff!"  When I read that, first I got excited about the idea of wearing fun, creative clothes in a place where they would be understood and appreciated, but right behind that thought was total panic....Aaarrggg...I have to wear fun stuff!!!!!  

I started rummaging around to come up with my fun clothes.  Not the right season, can't paint in that, that's old, how many days am I going to be there?  Do I need something different everyday?  I better start making some stuff!!!  I pulled out the boxes and the patterns and started making piles.  Draping my dress from, making a shopping list for the 'fill in' bits and pieces to complete a garment or an outfit.  Making a list and a time line to get all these wonderfully creative, fun garments made in time for my trip.  I even figured that I could ship a box of stuff to the workshop so I wouldn't have to pack an extra suitcase...  

Isn't this the start of a really fun vest?

...and check this out...it will be a gorgeous top with the fun vest....

WHOA!  Wait a doggone minute!!!!  Wasn't my intention to "be present in the process?"  To see what happens?  To not be worrying about an outcome or a finished product?  I guess with any change of habit you have to expect a few falls off the wagon.

I put the boxes away, realizing that when I work I am most comfortable in something I can pull on and off dozens of times, something that sits and stands and sits and stands all day, something that feels soft and cozy, basically, my Smartwool pullovers and my fleece yoga pants!  Not particularly 'creative' or 'fun' but easy to pack, and comfy to work in.

When I took the pressure off myself to produce an entire week's worth of entertaining clothing I felt so much happier.  I realized that there was one tunic that I really would like to make and if it happened to turn out 'fun' it could make the trip to Oregon, if not, Smartwool and fleece would be perfect.

Here's the tunic.  It's a version of a Katherine Tilton pattern Vogue 8817 (see photo at the top of this page) that I have made before with mixed results.  When I made my trial balloon this time I decided on these changes:

• move the bust line down an inch to get it in the same place as my bust line
• taper the side seams from the underarm to the waist line to give more definition to my waist
• when I cut the trial balloon I didn't have two full lengths of fabric so I 'cut off' the A-line shape of the side seams figuring I would add it back in the 'real' fabric version, nice surprise, I liked the cut off version better, so did that with side slits.

The main fabric is a soft, rayon jersey, the yoke and sleeves are a combination of stretch lace and two different cotton jerseys.  I added some lace patches to the main fabric for a bit of extra 'fun.' I layered tissue paper as a stabilizer, the main fabric,  and the lace patch.  I did a zig-zag stitch around the lace from the top, cut away the main fabric behind the lace and trimmed the lace on the top close to the stitching.  

As I pack my new fun tunic and my Smartwool, I am feeling more confident about my intention to 'be in the process.'  Realizing that I can be aware enough to 'pull myself back from the edge' is empowering.  This workshop is already teaching me new stuff.  I'll let you know what else I learn when I return from the Northwest, with or without a finished product!

Time for Tea

I mentioned in an earlier post that I am "practicing being retired."  I say it that way because it is a process, not an event or a point in time.  Some days it's all good and others I feel a bit lost.  If you have done it you know what I'm talking about.  It makes sense, but for some reason I wasn't expecting it to be like that.  I was hoping for a smooth transition.  Today I'm a working stiff, tomorrow a retiree, wheee!  ...not so much.

In January of this year I stopped going into work everyday.  That was the easy part.  January 2 is where it got weird.   I have been 'going to work' in some fashion for my entire adult life, so doing whatever I want, whenever I want for as long as I want is a daunting idea to wrestle with everyday.  Time for myself has always been an afternoon "hiding out" in my workroom or surrendering to a hot bath, little luxurious moments that felt a bit guilty.  "What do I want to do?" has become a much bigger question and caused much roaring and gnashing of teeth as I move into this new life phase.

Taking my time, being gentle with myself, drinking tea...a lot...are part of what I am learning and practicing.  My new teapot has become kind of a symbol of this new way of being.  

Did I mention how much I love my new teapot?!  

I realized that a quick cup of tea before running off to the next meeting was not how my days were going anymore.  I make my tea and actually get to drink it and be around when it gets cold, which requires a few rounds in the microwave and another dunk of the tea bag.  My cup seemed to be spending a lot of time going in and out of the microwave.  I have also discovered a lovely loose tea from my local tea shop that requires an actual infusing device so refreshing the cup is a bit more involved than just a couple more 'dunks.'  My tea, like me, has become more of an evolving process, it takes more consideration, more time and care...and here is where my new teapot comes into the picture.

First of all it holds at least four cups of tea, enough for an entire morning (and maybe some of the afternoon before I have to stop caffeinating for the day!)  Inside it has a real honest to goodness olde timey glass thermos, like my grandad had in his lunch box.  It keeps my four cups of tea piping hot without a single trip to the microwave.  As for the brewing part of the process, it has a skinny basket like infuser that fits neatly into the pot with the lid on so I can steep my loose tea as long as I like.  AND, it's chubby and green and cute as a button!!!  It makes me smile!

I don't have many daily 'rituals' at this point...I'm not even sure I want them...but taking time with my tea, brewing real loose leaves, enjoying the whole pot nice and hot throughout my morning feels a bit luxurious...and not a bit guilty!

A Little Sampling

I am so pleased!  I actually finished one of the projects in my Spring 2016 line up!  (and it's only April 4!)  

I really didn't need to hurry up too much since this was the view out my window this past weekend!  Yeah!  April Fools!  If you look closely you can see my poor daffodils with little snow caps!   So I hunkered down in my workroom and when it does get warmer, I will have at least one new piece of my spring wardrobe waiting.

I used a gray Ibex ribbed wool knit to make a sweater/jacket.  It is a really nice, soft knit with a lot of stretch, but holds it's shape well.  I got it at my favorite local fabric store Fabrications  They got a bunch of Ibex mill ends last year that are wonderful and washable!  The color is one of my closet basics and will work with lots of stuff.  Even in the middle of the summer I need a sweater or a jacket or something to put on when I go INSIDE, because the air-conditioning is always way too cold for me.

I love working with and wearing knits.  But every one is different.  Some stable with barely any give, others loose and super stretchy, thick, drapey, all over the map.  And that is why the first thing I do when I start a new project with a knit fabric is make tons of samples! (I love samples!  The little tastes you get at the grocery store, little jars of face cream, movie trailers, wine tastings, oh yeah...)

I can spend a whole day just trying different stitch lengths or seam finishes or hem treatments...I have to be careful not to use up too much of my yardage on the samples and end up shorting myself on the actual garment!  Even an edge finish that I have used a hundred times will turn out differently on different fabrics.  

Here are a few of the things I learned from my Ibex wool samples...  

• What serger settings I needed to use so I didn't get that ruffly edge thing 
• What thread color I liked for top stitching
• Whether I liked top stitching!
• How much smaller to cut neck ribbing so it would lay flat.
• Whether I wanted to use the raw edge of the knit.
• What width of ribbing I wanted to use
• How to finish the center fronts

I'm not even sure if I ultimately used any of these, but I always learn something from my samples.

The other idea I wanted to incorporate was  Petersham ribbon.  I had a piece of ribbon that was a perfect match and it had to go on the jacket somewhere.  Here are some of the thoughts I had about that...

• Use is as a button placket
• Trim the hems
• Some kind of belt
• Pocket edges 
• Neck facings

And of course, I made a "Trial Balloon" of the pattern to check fit etc.  (I needed to cut the neck opening smaller!  Good catch!)

It's a wonder that I ever get anything done with all the trial and error and sampling going on!

Ta-da!   The finished product.  I decided not to use the raw edges.  The wool didn't curl at all when it was cut so the raw edge just stuck up and looked naked. I like the much-narrower -than-my-samples choice on the neckband.  I found some snaps that were the exact shade of gray, so no buttons. (and no buttonholes in stretchy knit, whew)

 I used the ribbons (1" and 5/8") to make a casing and tie on the back at the waist.  I love the little bit of shaping it gives the boxy shape of the jacket.  

Pretty happy with the results.  
For those of you who don't know me, the jacket is not extra short, my arms are extra long!  Yes I have orangutan arms!  The proportions may seem off a bit to 'normal limbed' folk.
  

Baby orangutans at the sanctuary we visited on Borneo.

A Different Kind of "Boxing Day"

The changing of the season means the wool sweaters go into hibernation and the linen shorts and sundresses reappear in the wardrobe line up.  Boots to the back of the closet, sandals center front.  Down coats get swapped out for rain jackets and everything lightens up.  

Spring is also the time in my workroom for the "swapping of the boxes."  (I'm going to have to come up with a much more glamorous term...)  I keep my 'inventory' in plastic tote boxes.  The cotton knits in one, the wool in another, you get the drift.  In the Spring and the Fall I fold and replace any of the out going season's projects that didn't make it to the cutting table and gather the upcoming season's possibilities from the totes.  I love this ritual.  It's as much a part of Spring and Fall for me as daffodils and apple picking.  

It would probably make sense to do it in February so I might have a spring project ready when April rolls around, but somehow getting the linens out in the dead of winter just seems wrong.  So when the time changes so do the fabrics in my workroom.

The fabrics tend to collect themselves into groupings either by color or for a series of garments that will work as a 'capsule wardrobe.'  (I've been doing this for years and just recently realized that I was making 'capsule wardrobes,' I feel so on trend).  I also gather together notions and patterns that might work.  I have often found an inspirational photo or two from the enormous volume of catalogs that show up in my mailbox that also get added to the pile.  Or sketches that I have been making in my journal waiting for the new season.

Whatever I might have had in mind when I purchased a particular fabric has long since been forgotten and any 'coordinating' fabric was probably sewn into something else years before. But that is the beauty of the 'swapping of the boxes,' each new season that rolls around brings a whole new gang of possibilities with it!  New combinations happen, old fabrics become new in the light of a current style trend, forgotten pieces are like old friends turning up and surprising me.

So....ready for the spring 2016 sewing season....fresh from the plastic tote inventory....This year's contenders....

Pile number 1:  

• Grey light weight cotton jersey(which is hard to see under the khaki jersey) the two may end up in a layered and embroidered t-shirty thing 
• Brown plaid and striped jersey, another summer top that's been percolating for a while
• Charcoal rib knit that is thinking about becoming a jacket of some sort using the Petersham trim somehow
• Khaki linen that is destined for shorts or a skirt
• Hale Bob border print silk with grey challis, still pondering...
• Variegated yarn (in the works as a cool bias knit tank top, should be finished shortly!)
• Wool yarn probably a longish cardigan at some point.  

Pile number 2: This one started to support the knitted tank top in the upper right hand corner of the photo

• Tan and light grey double sided gauze with a really cool selvage (under the buttons), the stuff feels like a cloud!  
• A light grey linen tablecloth that I found at Marshall's that will never see a table!  
• White linen print that looks good in the pile, but hasn't decide on a garment yet
• Cool cotton lace???  
• And the khaki linen, a carry-over from Pile 1!

...And the inspiration for some of the ideas....

I hope you realize that these piles are the ultimate 'pipe dreams.'  I never (EVER) get all of the stuff sewn in a season!  But making the piles is almost as much fun as sewing the clothes, and if they don't happen, they have a chance for a starring role in next season's line up!

Happy Boxing Day!